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In 1925, The city council decided upon a vast urban project called the "Plan Marquet" (1930-1940). A wave of new construction projects marked the development of the city.


Art Deco, with its pure and unobtrusive forms was the chosen style for the program. Under the leadership of Jacques D'Welles, City Architect, the Judaïque swimming pool, and the City Trade Union Council building (cours A. Briand) were built with modern yet discrete forms that integrated harmoniously with the classical architecture of the city.

Some architects were more audacious with their designs, such as Raoul Jourde, designer of the arched Stade Lescure (boulevard du Maréchal Leclerc), which is both elegant and revolutionary.


     
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The style is unmistakably Art Deco, yet some of the sculptural studies of females and athletes (Main entrance) are directly inspired from classicism. Inaugurated in July 1938, it was the largest and most modern stadium in Europe.

Concrete for public works, and stone for private projects - the interesting choice of these different materials did not prevent the Stade Lescure from influencing the design of the surrounding quarter from 1925.

The peaceful and shaded streets are lined with beautiful and rather strict residences, that have a certain elegance. Simply designed porches play on the light and shade, while the stained and decorated glass of the windows (medallions, rosaries...) add a touch of modernity.

From 1920, René Buthaud, produced masterpieces that placed him among the finest ceramic artists of the period between the two great wars.
The geometry is to be found not only in the design of the decor itself, but also in the highly arched profile of the vases themselves.

Architects, ceramic artists and interior designers, if not always exactly in line with pure Art Deco techniques, are constantly in search of new creations that complement the more traditional style.
                      
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